The viewer is thus a step ahead of Charlie as she stumbles on what happened and – by virtue of what’s said, and what isn’t – sorts out the details.įor those who don’t remember the Hulk series that starred Bill Bixby and Lou Ferrigno, it basically employed a similar format, sending him from town to town, “The Fugitive” style, where he used his hidden powers to help people he encountered. The framework here is that each episode features a rather lengthy prologue that lets the audience know not only what the crime was but who did it. Pressed to put that skill to use by a casino manager (Adrien Brody), the whole situation goes South, forcing Charlie to hit the road, taking her talent from city to city, where she invariably ends up using it to help solve a murder. Playing on NBC’s Peacock service, the premiere introduces Lyonne’s Charlie, a casino employee in Vegas who has been hiding her unique (and potentially very profitable) gift: The ability to look at anyone and tell whether they’re lying. Breezy but thin, it’s mildly fun but not quite a winning hand, defined as much by its guest stars as Lyonne in what’s basically a cross between “Murder, She Wrote” and “The Incredible Hulk” of the 1970s. Designed as a modern spin on an old formula, “Poker Face” represents another point of entry into TV detective shows, teaming Natasha Lyonne with “Knives Out” writer-producer Rian Johnson.
